A painted image; it is a still from the film BLACK TAPE by Uri and Michelle Kranot. Two people are standing facing each other. A wide black band is wrapped around their legs. The scene focuses on their legs and feet; their upper bodies and heads are not visible. Their clothes are colourful; the background is kept white and empty.
A black-and-white photograph. A person with long hair and a white surgical mask is holding a mobile phone to their ear. They are looking directly at the camera. A grille can be seen in the background.
Three figures are sitting and lying on a bench. The two figures in the middle are lying with their heads facing each other, whilst the third is watching the other two. The scene is partially obscured by a grille with metal bars in the foreground. The wall in the background looks worn and stained.

Open-Air Cinema: The Weight of Walls – Stories of Control and Resilience

in cooperation with the Braunschweig International Film Festival

Eight international short films provide accounts of questionable practices and in some cases unacceptable conditions in prisons, as well as in a former mental hospital. They show how it is not just criminal offenders, but also victims of political persecution and people with disabilities who are subject to a particularly high level of state control: they are disciplined, subjugated and incarcerated. But the films also reveal the prisoners’ ability to adapt, solidarity in action and resistance. This raises the question: How will we treat people the state deems as non-conforming to society’s norms in future?

 

The Braunschweig International Film Festival (BIFF) was founded in 1987 by a group of film enthusiasts to expand the cinema on offer in the city. What started as a small grassroots project soon turned into a major crowd puller, drawing over 25,000 visitors each year. For 40 years now, the festival has offered entertainment, new discoveries and discursive exchange. The focus is particularly on promoting emerging European filmmakers.


Production credits

Photos: (1) Filmstill BLACK TAPE (2014) © Uri & Michelle Kranot, (2) Filmstill CITIZEN-INMATE (2025) © Hesam Eslami, (3) Filmstill KISSING DAY (2024) © Ligebita Libera